This Is Horror

TIH 194: Nick Mamatas on Editing Clarkesworld, Common Story Mistakes, and Writing a Novel in Eight Weeks

In this podcast Nick Mamatas talks about Editing Clarkesworld, Common Story Mistakes, Writing a Novel in Eight Weeks, and much more.

About Nick Mamatas

Nick Mamatas is the author of a number of novels: Move Under Ground, Under My Roof, Sensation, The Damned Highway (with Brian Keene), Bullettime, Love Is the Law, The Last Weekend, and I Am Providence, three collections; 3000MPH In Every Direction At Once and You Might Sleep…, The Nickronomicon; and the novella Northern Gothic. He is also the editor of the anthologies The Urban Bizarre, Phantom #0, Spicy Slipstream Stories (with Jay Lake), and Haunted Legends (with Ellen Datlow). As part of his day job, he co-edited the Locus Award nominee The Future Is Japanese (with Masumi Washington), Phantasm Japan (with Masumi Washington), Hanzai Japan (with Masumi Washington), and Mixed Up (with Molly Tanzer).

Show notes

  • [04:50] Interview start/life lessons growing up
  • [08:00] First experiences with story
  • [11:00] Reading 7–8 books at a time
  • [25:00] Editing Clarkesworld
  • [27:30] How much to read before putting down a bad story
  • [35:45] Common story mistakes
  • [41:10] Television point of view in Dan Brown novels
  • [53:00] Max Booth III, via Patreon, asks what chapters Nick would add to Starve Better if reissuing it
  • [56:10] Strategies for writing a novel in eight weeks

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Vastarien

Vastarien. The forbidden tome. The impossible otherworld. A textual entryway into

“…a place where everything was transfixed in the order of the unreal. . . . Each passage he entered in the book both enchanted and appalled him with images and incidents so freakish and chaotic that his usual sense of these terms disintegrated along with everything else. Rampant oddity seemed to be the rule of the realm; imperfection became the source of the miraculous — wonders of deformity and marvels of miscreation. There was horror, undoubtedly. But it was a horror uncompromised by any feeling of lost joy or thwarted redemption; rather, it was a deliverance by damnation. And if Vastarien was a nightmare, it was a nightmare transformed in spirit by the utter absence of refuge: nightmare made normal.”

Support Vastarien on Kickstarter

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